“Each of us has his own rhythm of suffering.”
Roland Barthes (via misswallflower)
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harper’s bazaar march 1959

LITTLE BEAST

1.

An all-night barbeque. A dance on the courthouse lawn.
The radio aches a little tune that tells the story of what the night
is thinking. It’s thinking of love.
It’s thinking of stabbing us to death
and leaving our bodies in a dumpster.
That’s a nice touch, stains in the night, whiskey kisses for everyone.
Tonight, by the freeway, a man eating fruit pie with a buckknife
carves the likeness of his lover’s face into the motel wall. I like him
and I want to be like him, my hands no longer an afterthought.

2.

Someone once told me that explaining is an admission of failure.
I’m sure you remember, I was on the phone with you, sweetheart.

3.

History repeats itself. Somebody says this.
History throws its shadow over the beginning, over the desktop,
over the sock drawer with its socks, its hidden letters.
History is a little man in a brown suit
trying to define a room he is outside of.
I know history. There are many names in history
but none of them are ours.

4.

He had green eyes,
so I wanted to sleep with him
green eyes flicked with yellow, dried leaves on the surface of a pool—
You could drown in those eyes, I said.
The fact of his pulse,
the way he pulled his body in, out of shyness or shame or a desire
not to disturb the air around him.
Everyone could see the way his muscles worked,
the way we look like animals,
his skin barely keeping him inside.
I wanted to take him home
and rough him up and get my hands inside him, drive my body into his
like a crash test car.
I wanted to be wanted and he was
very beautiful, kissed with his eyes closed, and only felt good while moving.
You could drown in those eyes, I said,
so it’s summer, so it’s suicide,
so we’re helpless in sleep and struggling at the bottom of the pool.

5.

It wasn’t until we were well past the middle of it
that we realized
the old dull pain, whose stitched wrists and clammy fingers,
far from being subverted,
had only slipped underneath us, freshly scrubbed.
Mirrors and shop windows returned our faces to us,
replete with tight lips and the eyes that remained eyes
and not the doorway we had hoped for.
His wounds healed, the skin a bit thicker that before,
scars like train tracks on his arms and on his body underneath his shirt.

6.

We still groped for each other on the backstairs or in parked cars
as the road around us
grew glossy with ice and our breath softened the view through the glass
already laced with frost,
but more frequently I was finding myself sleepless, and he was running out of
lullabies.
But damn if there isn’t anything sexier
than a slender boy with a handgun,
a fast car, a bottle of pills.

7.

What would you like? I’d like my money’s worth.
Try explaining a life bundled with episodes of this—
swallowing mud, swallowing glass, the smell of blood
on the first four knuckles.
We pull our boots on with both hands
but we can’t punch ourselves awake and all I can do
is stand on the curb and say Sorry
about the blood in your mouth. I wish it was mine.

I couldn’t get the boy to kill me, but I wore his jacket for the longest time.

Richard Siken

Illustrator Eugene Bilbrew conjurs up a perfect characterization of Bettie Page. 

charlotteofabc:

Girl holding a Doll by Junichi Nakahara 1930s